Showing posts with label marvel. Show all posts
Showing posts with label marvel. Show all posts

04 September 2009

Alan Moore Reflects on Marvelman

In an interview with Kurt Amacker at Mania, Alan Moore states that he is okay with Marvel reprinting his Marvelman:

After being initially informed by Neil [Gaiman]’s lawyer, I had to think about it for a couple of days. I decided that while I’m very happy for this book to get published—because that means money will finally go to Marvelman’s creator, Mick Anglo, and to his wife. […] I would probably rather that the work was published without my name on it, and that all of the money went to Mick.

This following up on the news that Marvel had acquired the rights to the book. Robot 6 has background on the whole affair, and Tim Callahan did a three-part series on it in “When Words Collide”: one, two, three.

19 June 2009

Tilting at Windmills on the Captain America 600 story

Tilting at Windmills on the Captain America 600 story

Long but interesting piece on how Marvel intentionally kept information from its retailers in the hopes a slow news day would sell comics, despite the retailers not knowing how many issues to order.

17 February 2009

New Avengers 49

If you were looking for justification for both why decompressed storytelling in comics has worn out its welcome and why Marvel’s just ripping you off at this point by increasing their cover price, look no further than New Avengers 49. That’s Brian Michael Bendis trying to recreate a cinematic zoom, and in the process spending three pages to show three panels’ worth of action. It could have been a panel where Jarvis is shot, a panel where Luke looks through the hole the bullet came from, and panel where Bullseye is shown as the shooter. Instead, you get a panel of Luke looking out eh window, the same shot from another angle, seven panels showing the same thing, then a full page showing Bullseye. I used to love Bendis’s stories and ritually bought everything he wrote. Now I’m glad I’ve stopped. I’ll just wait for Powers trades1.

  1. Okay, I still love Ultimate Spider-Man.

29 January 2009

Vathlo Prime

Sort of an amusing confluence of events:

  1. DC decides to do a political story called DCU: Decisions around election season featuring its characters choosing sides in the race. Except they use fictional candidates, and the story is poorly drawn and written. No one cares.
  2. Marvel decides to do a Spider-Man issue that features Barack Obama in a 5-page back-up story of serviceable writing and art quality. It’s a huge, sellout success. (Despite that they botched the covers, releasing the Obama cover as a rare variant, which most customers don’t understand. Still, big success. The second and third printings feature Obama on all the covers. Last night when I was in my comic book store someone came in and bought three copies. The clerk then failed to bother to upsell him on anything, thereby squandering a great chance to sell him something else for himself or his kids that might turn them into regular customers.)
  3. At the same time, Marvel bets on the wrong horse in the actual election, having Norman Orsborn, a big-time villain, take over the operations of SHIELD and generally staying with the tone of the Bush administration where we can’t trust our government. No hope to be found.
  4. DC releases a book that was supposed to come out in December, but due to artistic delays only just came out this week, eight days after President Obama’s innauguration. It features an alternate- Earth black president who’s also Superman1.

How did both companies manage to both hit and miss here?

  1. DC actually once published a story about Vathlo Island, a nation on Krypton that featured dark-skinned Kryptonians. Morrison here is taking this fairly embarrassing part of DC’s history and turning it around, imagining a world where a Vathlo citizen sent his only son to Earth instead of Jor-El2.
  2. Jor-El lived in the city “Kryptonopolis”.

18 November 2008

$3.99

Marvel’s February solicitations are out. While the content of the book is still “classified” until after Secret Invasion 8, you’ll notice that Brian Michael Bendis’s new series Dark Avengers is priced at $3.99 for a 32 page comic. The first issue will also cost $3.99, but I was hoping that the price bump was due to the first issue being over-sized or something. Nope. They’re just raising the price a dollar.

I’ve read everything Brian Michael Bendis has written for years, from Alias to Ultimate Spider-Man to Powers, but this is the line for me.

Other Marvel books that will cost you an extra dollar in February but won’t have extra pages:

  • Dark Tower: Guide to Gilead
  • Ultimate Fantastic Four 60
  • Ultimate X-Men 100
  • Franklin Richards: It’s Reigning Cats and Dogs
  • Hulk 10
  • X-Men Origins: Sabretooth
  • X-Men: The Life and Times of Lucas Bishop
  • X-Men: First Class Finals 1 of 4
  • Punisher: Frank Castle 67
  • Models, Inc. 1 of 4
  • Plus 14 mini-series issues that have either been $3.99 all along or have raised in price.

25 March 2008

Secret Invasion Preview

Marvel has a short prologue to its Secret Invasion story up on its website. You might need to log in to see it, but Bug Me Not can help you there. This is the exact right way to use the internet to promote their publications. They could have gone even further by doing a series of these, one each week, like some TV shows have done with webisodes.

15 February 2008

Ultimate Burnout

How quickly is the Ultimate Universe catching up to the Marvel Universe proper? Ultimate Burnout.

14 November 2007

Marvel Digial Comics, First Impressions

As reported yesterday, Marvel Comics has launched a new service that offers its comic books online. The service has a selection of 250 free samples (for a “limited time”), with a catalog of 2,500 for $59.88 annually or $9.99 monthly. I have a lot to say on the matter of digital comics, but for now I’ll write about the service itself.

First, it’s all done in Flash. Flash is widely compatible with most computers (but not the iPhone), so you shouldn’t have much trouble with it, but it can be quite slow on some machines. (Also the site’s new, so it’s getting more traffic than its servers can handle right now, but that’ll cool down in a day or two.) In an interview with Marvel’s Editor-in-Chief Joe Quesada and Vice President of Online Operations and Marketing John Dokes, Douglas Wolk asks about why they’re keeping it all on the site instead of offering downloads. Quesada’s response is that fans won’t want to have to store all the data, which is a dodge. A PDF download would let me take it on my iPhone, but it’d also let me print the comics out, email them to friends, or post them online. There’s an obvious business reason why Marvel wouldn’t want to have their stuff out there, but if their new online push is an effort to combat bootlegging that’s already going on, putting out an inferior product won’t help too much. Apple succeeded with iTunes because, though it had DRM, the restrictions were reasonable enough that they didn’t get in most people’s way. The Flash presentation is fine, but Quesada could just say that he doesn’t want people downloading them and trading them around because he wants his artists to get paid. Note also in the interview that he says he’s going to share revenue with the creators, which is a direct reference to the current Hollywood writer’s strike.

Marvel’s service is a subscription plan. You’re not buying anything when you sign up, so when you stop paying for your subscription, you lose access to the comics. For most people this probably won’t be a big deal. They’ll read the comics once and move on. But consider that for your $60 you could have bought softcover collections of those same comics that you get to own forever.

The presentation of the site itslef is very nicely done. The default view places two pages onscreen at once, which is great for looking at the art, but it makes reading text difficult. Switching to viewing one page at a time gives you a nicer close-up view, but you miss out on experiencing the whole page as one image. Finally, they have a “smart panels” view which zooms in on each panel individually, something their earlier “dot comics” system did also, and it works quite well. None of it matches up to actually holding a book in your hand, but overall it’s a nice experience.

The system also popped up a little box that recommended that I type in my zip code to find a local comic shop near me, which is very smart of Marvel. They need to drive people from the online service to their monthly comics, so making it easy to find a comic book store is important.

Marvel claims to have 2,500 books online now (though only 10% are available for free), with “hundreds” more going up each week. Of the free selection, here are some highlights worth checking out:

I’m sure I missed some other key stories that they’ve posted, but that’ll get you started.

11 October 2007

New Costume for Captain America

Marvel has unveiled a new costume for Captain America designed by Alex Ross, set to debut in number 34. It will be someone new wearing the costume. An easy guess would be Bucky Barnes, but I’m kind of hoping for a new character entirely, Kyle Rayner style. As for the costume, I’m not wild about it. The black fits the darker concept of him carrying a gun like a soldier, but Captain America’s costume was one of the truly great, iconic costumes, most of which are worn by DC characters. I’m very glad he kept the round shield, but I wouldn’t have been sad to see the cuffed boots go.

Here’s an interview with designed Alex Ross and Cap writer Ed Brubaker.

25 September 2007

One More Day Delays

Paul O’Brien’s analysis of Marvel’s month-to-month sales for August 2007 are up. I’ll quote at length from his writeup about Amazing Spider-Man, but there’s a lot of good analysis here about other stuff, too:

For all practical purposes, this was the last month of the three separate Spider-Man titles. Amazing, Sensational and Friendly all tied up their storylines, leaving the way clear for One More Day.

The original plan, you’ll recall, was that One More Day would run weekly through all three Spider-Man books in September. Sensational and Friendly would then be cancelled [sic], and in October, Amazing would come out three times a month instead. In other words, the three existing Spider-Man monthlies are going to be merged into a one book, shipping 36 times a year.

Unfortunately, One More Day has gone off the scheduling rails, and so the new Amazing has been pushed back to December. That book can hardly ship extra issues to catch up, so effectively the delay to One More Day has cost two months of Spider-Man sales. It’ll have to perform very well to justify that.

Now, as we all know, Amazing sells a lot better than its two siblings. Plainly, the hope is that Spider-Man fans will buy every issue of the merged title, while before they just bought Amazing nine times a year, and ignored the two satellite books. But it’s also likely that some existing readers of Amazing will decide that they don’t want to buy 36 issues a year, or that they’re jumping ship with the outgoing creative team. So, how well does the new Amazing need to sell, in order to be judged a success?

Well, the short answer is that Marvel will come out ahead if the merged title shifts more copies than Amazing, Friendly and Sensational are presently managing between them. But then, Amazing doesn’t ship twelve times a year—it misses issues all over the place and never catches them up. So let’s take the whole last year as our comparison. Between September 2006 and August 2007, the three existing Spider-Man titles sold an estimated total of 2,284,676 copies in the direct market. At 36 issues a year, the new Amazing can equal total by selling an average of 63,463 copies per issue. Which isn’t really that much. It can do that without making the top 30. I’d be very surprised if the merged book fails to beat that target.

I’m not a fan of the One More Day concept, but I think the idea of moving to a single Spider-Man book that ships more often, rather than three separate, unrelated ones, is very interesting. That said, I don’t think that I’ll buy 36 issues of Amazing Spider-Man a year.

12 April 2007

Ultimates 2 #13's 8-Page Spread

Ultimates 2 #13’s 8-page spread

While I agree this looks very nice, and I”m sure it took Hitch weeks to draw, I always approach these things and think of how much story eight pages could have been. One big fight spread looks cool, but it moves the story forward very little.

04 April 2007

In the Army Now: Slott Talks "Avengers: The Initiative"

In the Army Now: Slott Talks “Avengers: The Initiative”

What’s so apparent from the interview is how the concept is just dripping with potential. There are so many stories that could be told coming from the premise. I really hope it turns out well.

29 March 2007

Interview with Allan Heinberg about Young Avengers

Interview with Allan Heinberg about Young Avengers

I only just read this series, and it’s one of my favorites new books of the past few years. Heinberg was a writer on Sex and the City and The O.C.

15 March 2007

List of characters in the Spider-Ham Universe

List of characters in the Spider-Ham Universe

Marvel’s parody of its own characters is just so funny to me.

12 March 2007

One Last Post About Civil War

Novak and I were talking about the difficulties of due process in super hero worlds the other day. I’d imagine if you were a defense attorney in a comic book world, you’d have a pretty cushy job. You see Batman working with Commissioner Gordon from time to time, but it’s not like he gets warrants before breaking into someone’s house and hanging them from the ceiling by a bat-rope. In the Powers world there’s a whole group of detectives who specifically focus on supercrimes, so one would imagine their justice system has some laws about how vigilante justice is dealt with.

The more I think about Civil War, the more I end up on the pro-registration side of it, despite my rooting for Cap as it went along. Part of the reason for this is how unevenly the concept itself was presented during the course of the story. Basically it falls into to possibilities:

  1. Superhuman draft. All heroes must register their secret identities with the government, must be trained and certified, and will take orders from SHIELD like soldiers.

  2. Gun legislation analogue: all heroes must register their secret identities with the government, must be trained and certified, and will be expected to only use their powers responsibly, like a police officer would.

If the registration act were more in line with number one, I’d see a very big reason for Cap and friends to fight it. Most people with superpowers come across them by accident, and they have secret identities because they want to be able to live normal lives. Mutants are just born with them and some of them have to go to a special school just to learn how to handle them without killing people. If the act is a forced draft for those people, requiring them to become specialized soldiers and take orders, while no other citizens in the US are subject to an active draft, that’s pretty damn unjust. Many civil war tie-in issues suggest this is exactly how the registration act is going to work.

Marvel Editor-in-Chief Joe Quesada has said numerous times that the Marvel Universe is mostly like the real world. George Bush is president, real world events like the September 11 attacks happened in the Marvel Universe, and so on. That being true, you have to assume that citizens of the Marvel 616 have the same civil liberties we do, chief among those being habeas corpus, protections against unlawful search and seizure, Miranda rights, and so forth. In the real world most arrests are made by police officers, but in a comic book world you’ve got lots of superheroes bringing people in, and you’d have to think that their rights are being violated all over the place. Imagine a police officer in court saying, “well, he had a note on him saying ‘drug pusher, courtesy your Friendly Neighborhood Spider-Man’, so we figured we’d arrest him for selling drugs.” One of the most important foundations of our society is that people who are accused of crimes are allowed to have the evidence against them presented and questioned in court. If you have vigilantes running around nabbing lots of people, there’s no way to make sure that they’re not trampling all over that foundation. Granted, in comic book worlds there’s a strong “ends justify the means” mentality, and when you have very, very bad villains out there maybe you want someone who can bring them in and not have to follow the rules to do it, but that’s a dangerous road. With SHIELD able to look over the heroes’ shoulders, they can make sure that the alleged criminals’ rights aren’t being violated even though it’s She-Hulk making the arrest instead of a cop (though being a lawyer I’d imagine She-Hulk knows all of this, anyway). Now, I’m not arguing that everyone X-Men story begin with Cyclops filling out paperwork for a search warrant to check if a guy has been keeping mutant slaves in his basement, but it’d be good to know that when they do apprehend him it won’t just get thrown out of court.

The question, then, is what the ramifications for registering are. If it means you get drafted or thrown in jail, and at times Iron Man specifically says that’s the case, then the anti-reg heroes had every reason to protest it. But if it’s there just to ensure due process, then not having someone looking out for the rights of the accused is wholly irresponsible. It makes the protest into one on grounds of tradition alone. “We always used to be able to beat up anyone we wanted, why should that stop?”

In this fan Q&A, Civil War editor Tom Brevoort provides the answer:

[The Superhuman Registration Act] requires anybody possessing superhuman abilities to register themselves and those abilities with duly-appointed agents of the government. Additionally, if an individual intends to use those super-normal abilities as an independent peace officer, they must qualify on a training evaluation, be licensed and submit to some level of oversight in terms of their activities. The closest equivalent, although it’s not quite the same thing, is gun legislation. If you want to own a firearm in this country, you need to register that weapon. If you want to use that weapon and carry it, as a private detective or a bodyguard or in any other legal way, you need to be licensed and cleared on a firing range, demonstrating that you have the necessary knowledge, skill and responsibility to use that firearm responsibly. And if you discharge that weapon outside of an authorized firing range, or in the course of one of those jobs, there’s going to be paperwork that needs to be filled out.

Sounds very reasonable, doesn’t it? You’d think if someone had just spelled that out from the beginning, there wouldn’t have been a need for a whole lot of fighting and death. In fact, the text of the bill itself would say all that, though it’s possible it’s way too nebulous like the Patriot Act and gives the government lots of powers it may or may not use. The point being, it’s sloppy storytelling. The main conflict only holds up if the registration act has bite to it, if you the reader believes it to be a real danger to heroes being able to protect people and from the government not being able to use heroes as political tools. But as soon as the story ends, it turns out to be something very sensible that lets heroes keep doing their jobs but protects the American public from a Marvel equivalent of the Santa robot on Futurama who puts everyone on the naughty list and then maims them.

08 March 2007

More on Cap

I went to the comic book store last night to get my books. I usually go every 2-3 weeks and was planning to go last night before the big news broke. I’ve been reading Captain America as it gets collected in paperback format, and it’s honestly one of the best single character books Marvel is publishing right now, if you like the character. Anyway, the man at the store said that he’d had quite a day, and that the phone had been ringing off the hook. This was about 5:45 or so, and he already didn’t have any copies of Captain America 25 left on the shelves. He said if I really wanted one he had a stack of about 10 left, but they were otherwise being held for people who’d called in earlier that day. I said I’d wait, as I’ll end up buying the trade, anyway and I already knew what happened. (In addition, this week’s Civil War: The Initiative reprints a portion of the issue, but I wouldn’t recommend buying it overall.) He said that Marvel had overprinted this issue, but at 9:00 that morning had announced they would not be doing a second printing. By 3:00 they’d changed that to “probably not” be doing a second printing, so it’s quite possible that they’ll have more on the shelves but not until the hype has already blown over.

Brian Hibbs, comic retailed blogger, has this to say about it:

I wish Marvel had laid out the score for us a lot better — certainly when Superman was killed, we knew MONTHS in advance, and it resulted in millions of copies ordered. Even with the supposed generous overprint, I’ll be surprised if we end up with even the same number of copies of CAP #25 on the market as CIVIL WAR (ie, nowhere near enough). The REAL problem is, because (I’m guessing) the reorders are going to fill from newstand copies, and because of the way that Diamond and Marvel work with OSDs (over-short-damage), it seems likely that reorders won’t arrive for 2 more weeks. That’s going to be way too late, I think.

A slow news day meant that the book got lots of media coverage, and Captain America’s an old school wartime hero, so interest seems to be higher than it would otherwise be. Still, I like to see how these things look to people who don’t read comics. For one, it’s common knowledge that characters don’t stay dead. All of the major media coverage of Steve Rogers’ death include comments about how characters come back from the dead frequently, and Joe Quesada remains flippant about it in each story. I’d say it’s quite possible he will stay dead, but it’s also possible in the very next issue we’ll see that the assassination was a cover to get him back into the field and escape trial.

Also, it’s interesting to see which characters in each publisher’s stables are big enough for people to even know who they are. In terms of public consciousness, DC Comics has Batman and Superman, then Wonder Woman, and that’s about it. Some people know a few more from Superfriends or more recently Justice League. For Marvel, you’ve got Spider-man and the X-Men on the top tier, then the Hulk and, I guess the Fantastic Four. Iron Man’s getting a movie next summer (which might actually be good), but Captain America hasn’t had any film coverage in years, excluding a few direct-to-DVD cartoons, which is odd because, in my opinion, he’s really their third-best property after Spider-Man and the X-Men.

07 March 2007

Spoiler of the Week: Captain America

Pick up your copy of Captain America 25 fast. The New York Daily News has already spoiled the ending, and I’d suspect some other news sources to follow suit. If you really want to know what happens, here’s the article.

Edit: CNN has the story now, too.

It should be noted that Marvel intentionally seeds these stories to hit the day they hit stores to draw people into retail stores. Naturally they want to sell books, but it sucks that surprise endings are often ruined. The problem is that most retailers are small independent stores that have to manage their inventory very tightly. They’ll order enough copies for their regular customers, and then a few extra for walk-ins. Marvel’s been hyping this issue as an important one, so it’s probable that stores knew to over-order it, but chances are it’ll sell out and take a few weeks to restock, ruining the buzz.

09 February 2007

The Complete Guide to Marvel Legends

The Complete Guide to Marvel Legends

Pics of all the toys in this line.

26 October 2006

First look at 2007's Marvel stamps

First look at 2007’s Marvel stamps

I was impressed at how cool and colorful the DC stamps were when I saw them in person. The Marvel ones look nice, but I’m surprised to see Spider-Woman there instead of perhaps Invisible Woman.