Showing posts with label lost. Show all posts
Showing posts with label lost. Show all posts

12 March 2008

On the St. Elsewhere Multiverse

St. Elsewhere (spoiler!) ended with the reveal that the entire series happened inside the imagination of Tommy Westphall, an autistic child in the series. Homicide featured an episode in which one of the doctors on St. Elsewhere was investigated. Thus, both shows share a continuity, and, since St. Elsewhere was a figment of Westphall’s imagination, so must be Homicide. Turns out that 278 other shows cross over with Homicide.

Very neat, but I do have some qualms with their methodology. They include a show, with some exceptions, whenever a character or event crosses over with another show, or when a character, event, or item from a show is mentioned within another show. The first is a given. The second, I’m not so sure.

Direct character crossovers certainly apply and confer status that two shows exist within the same multiverse. All the events of Friends coexist with the events of Joey, as do those of Mad About You, via sisters Phoebe and Ursula.

All of the Star Trek series feature character crossovers, but I don’t buy this connection: “John Larroquette Show referenced Yoyodyne. Many years in the future the same Yoyodyne built starships for Starfleet in the 24th century, including the U.S.S. Brattain and the U.S.S. Phoenix on Star Trek: The Next Generation, which features the adventures of the crew of the U.S.S. Enterprise-D.” They also use Yoyodyne to connect to the Buffyverse. Must it be the same Yoyodyne? It’s not just a funny name that happened to be in all the series?

Often TV shows are produced by the same companies (as with Star Trek), and little easter eggs pop in. An example: “Charlie from Lost was in a band named Driveshaft. Alias Sydney threw a party and the music playing at the party was Driveshaft song.” Is the existence of Driveshaft’s We All Everybody on Alias enough to say that both exist in the same continuity? Probably. How about this one: “In the Jan 25th episode of Veronica Mars Veronica’s fortune contained the numbers that won Hurley from Lost the lottery.” Here I’d have to say no. The numbers are important to Lost, and their appearance all over the place on that show is a plot point, but their appearance on Veronica Mars is an homage. Inside Veronica Mars’s continuity, those numbers would just be numbers. (Battlestar Galactica, however, is explicitly reference as a work of fiction in episodes of Veronica Mars and The Office (USA).)

“Charlie of Lost once dated a girl whose father worked for a paper factory in Slough. The paper factory in Slough is the paper factory of The Office (UK).” (My memory is that Hurley also owns this company, and I think Locke worked there.) Does the mention of a paper factory in Slough necessitate that the factory is The Office’s Wernham Hogg? Again, I’d say no. It’s a coincidence, but it’s not enough for me. The Office was a BBC documentary within its own universe. If we saw characters of another show watching it, I think we could say that they share a universe, or even if we saw its logo somewhere on some stationary, but just mentioning the factory doesn’t cut it. I think a concrete crossover (a character, a direct reference to an event, a recognizable physical item) is enough to justify a link, but an homage or some sort of reference which would be mere coincidence inside the diagesis isn’t.

Now here’s a very good one: “On a balloon capsule on Lost all of its sponsors are listed and among them is Nozz-a-la Cola. Nozz-a-la Cola is a fictional product created by Stephen King & mentioned and consumed in Kingdom Hospital.” Even better, though the writers of this page don’t seem to know it, is that Nozz-a-la Cola appears in The Dark Tower, which establishes that all of Stephen King’s books are connected, and establishes its own multiverse containing “a billion” other worlds. Stephen King himself appears in the story as the author of itself. This being true, it means that not only did Tommy Westphall imagine the world of St. Elsewhere and those of all the other shows connected to is, but also Stephen King the author, all of his books, and their sprawling multiverse which all spin around The Dark Tower. And all things follow ka.

08 February 2008

Miles on Lost

Watching Lost last night, I was certain that the character Miles, played by Ken Leung, had been in the mental hospital with Hurley in a previous episode. Turns out he was actually in Junior’s mental hospital on The Sopranos. Either way, good episodes so far this season.

25 May 2007

Serialized Fiction

Yesterday I was talking about bit about how the end of this season of Lost was very good, while the beginning was very slow (duh). I’m sure that the creators of the show may say that the beginning was slow on purpose because it was all buildup, and that if you go back and watch them again you’ll understand why they had to be that way to set up the ending to be so good.

Related, today Good Comics writes about DC Comics’s Countdown, which isn’t quite starting off with a bang. He says:

Serialized fiction does not work that way […] An individual comic, if it is bad, does not suddenly become good because it tied into a bigger story.

You can choose to tell a graphic novel, or you can tell a serialized story. If you tell a serialized story, you have to live and die with each serialized part of the story. If they are bad individually, then they are bad. The story as a whole might very well be good, but that doesn’t make Countdown #51 good because Countdown #25 might be. [Countdown’s issues numbers count down from 51 to 0, so 25 is still six months away.]

I tend to agree. You can’t make a bunch of TV episodes that are really slow and don’t go anywhere and expect people to trust you in October and wait for a payoff that won’t air until April or May. For a movie where the payoff is only two hours away, that’s fine, but a week between episodes is long enough that you really do have to judge each episode on its own.

24 May 2007

Lost Finale

Spoilers!

I think universally everyone liked this episode. Finally the story moves forward! I don’t think, though, that it feels so good because it was so slow earlier. The creators will surely come out and say that they intentionally set up the season to build up slowly and then be released toward the end, but really I think they were just killing time. It’s my belief that with serial dramas like this, the creators have in mind the major story points of the whole series, but then have to hold back as the grind of producing more and more episodes weighs them down. The X-Files is a paramount example of this, Twin Peaks, too. I recall an interview with the writers on 24 in the first season. They had the whole season planned out, and then by episode 10 they’d already told most of the story they wanted to, and had to start stalling (give Jack’s wide amnesia!)

Anyway, on to the finale. I was bothered last week, though I understood if, by Charlie’s dismissal of Hurley when he wanted to help out on the underwater mission, and likewise with Sawyer treating him like a kid last night, so it was great to see him burst in with the van and get credit for saving the day.

Because they didn’t show us Jin, Bernard, and Sayid’s bodies, I didn’t buy that they were dead. In season one when Charlie was almost hanged, I completely thought they were willing to kill off major characters at random. It’s a great way to bring the serious to a story (see: Serenity), but in this case it was an obvious bluff.

Charlie’s death wasn’t set up right. Watching it, we just kept asking, “why didn’t he just run out the door and slam it shut?” and “can’t he swim out that porthole?” It seems like the set builders didn’t know what was supposed to happen in the scene. Even if they whole station had flooded, they swam in, right? Why wouldn’t they have been able to swim out? They could have made the flooding start before Charlie typed the code in, so that he’d have to stay and shut off the hardware and wouldn’t have time to swim out. They even had the musical code set up for Charlie to be able to unlock it but not Desmond, but there wasn’t a time crunch while that was happening. Charlie’s my favorite character on the show, and I love the idea of his heroic death, but not its implementation. The way it was done, it looked like he just gave up so that he could be a hero.

At the start of the episode we wondered if Jack’s stuff might really be a flash-forward, but then I talked myself out of the idea because it sounded like he was listening to Nirvana in his car, but that confused me because that would place his divorce in the early 90’s, which didn’t seem right. I love that we know they’re going to get off the island, and that we know Ben’s right about it being a bad thing. We don’t know what happens, but it goes back to Alfred Hitchcock’s stuff about suspense. Knowing some of what’s going to happen lets us be very nervous for the characters. Also, it gets big points for making clever use of the flashback structure to be something more than filler.

When season two ended, I had a theory that season three was going to be about showing us what The Others are really up to, and that we’d eventually start to understand that they really are the good guys, and we’ve just had the wrong idea about them. At this point, though, there’s nothing that could convince me what Ben’s done was worth it. They can show me why Ben thinks gassing all those people and throwing people into cages and torturing people and trying to brainwash the kid and so on were justified, but there’s no way to convince me of that. They don’t need to, he’s still an interesting villain, but it would have been cool for them to paint The Others in a way that we can see where they were coming from.

14 January 2007

'Lost' producers in talks about end date

‘Lost’ producers in talks about end date

Funny that, it seems, the studio had to force this.

06 December 2006

ABC moves 'Lost' out of 'Idol's' way

ABC moves ‘Lost’ out of ‘Idol’s’ way

Lost will be on at 10pm on Wednesdays instead of 9 when it returns from hiatus.

14 November 2006

09 November 2006

Q&A with Carlton Cuse & Damon Lindelof

Q&A with Carlton Cuse & Damon Lindelof

A few teasers about the rest of this season of Lost.

09 October 2006

Lost and "Make Your Own Kind Of Music"

Lost and “Make Your Own Kind Of Music”

I agree about that second season premier. The first scene was awesome and the music choice was perfect.

20 September 2006

The Lost Experience

The Lost Experience, the alternate reality game that ran this summer, has finally finished, and the secrets of Hurley’s numbers on Lost have been revealed.

[Spoilers…]

Fans of ABC’s hit SF series Lost who played this summer’s alternate-reality game The Lost Experience got a big payoff if they stuck with it: the secret to Hurley’s numbers (4, 8, 15, 16, 23, and 42) and revelations about the Dharma Initiative and the Hanso Foundation. The answers, which were reported by TV Guide, can be found in a video detailing the elaborate backstory to the show, which has been posted in its entirety on YouTube.com.

The numbers represent the Valenzetti Equation, a mathematical formula having to do with the timetable for humanity’s extinction. The show’s sinister Dharma Initiative was an effort by the mysterious Hanso Foundation to ward off that inevitability. When Dharma failed, Hanso’s nefarious acting leader, Thomas Mittelwerk, set in motion a plan to release a virus that would kill 30 percent of the world’s population.

More information can be found by poking around Wikipedia’s entry on The Lost Experience.

04 September 2006

Wizard Magazine's rundown on Lost

Wizard Magazine’s rundown on Lost

What they think we should expect in season three.

17 May 2006

Chron.com | Hate Lost repeats? ABC's solution is to take it off the air

Chron.com | Hate Lost repeats? ABC’s solution is to take it off the air

ABC is moving to a move British style schedule for Lost: run a shorter series, then another show, then the rest of the season, so there are no repeats in between new ones.

10 May 2006

hollowindigo: Page A7 mysteriously goes missing from the break room...

hollowindigo: Page A7 mysteriously goes missing from the break room…

The Hanso Foundation took out an ad in the Washington Post today. I really need to start looking into Lost’s alternate reality game.

04 May 2006

Beware! ABC's hit Lost is leading us down a strange and new high-tech path

Beware! ABC’s hit Lost is leading us down a strange and new high-tech path

Lost’s new alternate reality game will include clues embedded in ads, forcing you to watch them if you want to uncover them (or you can just read them online on a fansite somewhere, of course). Clever concept.

10 April 2006

Google Local - 4.815 162.342

Google Local - 4.815 162.342

Just for fun.

25 September 2005

A Bit Part I Never Played

My dad discovered that I apparently played the part of an intern on this week’s Lost. I’m guessing it’s this guy.

23 September 2005

Make Your Own Kind of Music

I could probably come up with lots to say about the season premier of Lost, but I’ll hold off for a few episodes before going crazy about it. Watching it both allayed and heightened my fear that they aren’t going to be able to keep the quality of the show up. It’s a fallacy to assume that the longer something doesn’t happen, the more likely it is to happen, but I can’t see how they’re going to stay at this level. Fortunately, as Alias showed in seasons two and three, J. J. Abrams is entirely willing to make huge changes to his shows as soon as or even before the storytelling gets stale (though admittedly last season did disappoint a bit).

30 May 2005

Lost Teaser

Lost Teaser

Unlock a crazy teaser for season two of Lost.

28 May 2005

Lost as a Test-Based RPG

Lost as a Test-Based RPG

dig What do you want to dig? dig dirt What do you want to dig the dirt with? dig dirt with plane-scrap shovel You dig in the dirt. Several sweaty minutes later, you reveal a steel hatch. open hatch The hatch cannot be opened from this side.